The project aims at proposing an innovative design in which interior
architecture is strictly related to visual communication. The issues
regarding exposition fairs and especially jewelry fairs is very stimulating
for the specific attention that ought to be paid to the product's communication.
The project provides for rarefied spaces to alternate with others possessing
a stronger character: everywhere it is the use of light that produces
some special effects or highlights architectural elements. All this
is achieved without disregarding a relationship with the surrounding
context, with the architectural character of the building itself. The
vastness of the spaces, their extreme horizontality (perceivable even
with the stands in place) was in some ways emphasized through a quest
for an interior dimension which is akin to that of the landscape: an
idea of variety and organicity which is well expressed, for example,
in the proposal for the false ceiling. This idea, along with the objective
of conceiving spaces that are natural extensions to the stands and where
visitors can easily flow, led to the exaltation of the relationship
that may exist between an attention to the jewels' details as opposed
to larger scale elements. We proposed the utilisation of large scale
images (enlargements of details of natural shapes) which, employed as
decorations and texture effects, represent also the exaltation of form,
shape and natural beauty as it relates to a man-made beauty: jewellery.
project,
schematic design, construction supervision
(The project entailed the redesign of a 14,000 sq mt area in the Jewellery
Fair for a total cost of CHF 2.500.000)
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CREDITS:
designers:
Walter Camagna, Massimiliano Camoletto, Andrea Marcante (UdA) Davide
Volpe, Simone Volpe (Studio Volpe), Paola Giaconia
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